Monday, 24 October 2011
workshop3: photomontage
Eduardo Chilida
aldikatu II
first concept model:
my first concept model is about transparence, the idea is inspired by "mount tindaya".
photomontage:
my second concept model:
after scanning
aldikatu II
mount tindaya
cubico
my first concept model is about transparence, the idea is inspired by "mount tindaya".
photomontage:
my second concept model:
after a deep research about each artwork by eduardo chillida, i found that the idea of inspiration of "aldikatu II" is "rhyme", then the musical notes came into my head, i decided to build a model in the shape of musical note.
this is a shot of my second concept model taken from above.
photomontage:
flipbook progress:
after scanning
workshop2: draw it!
plan
elevation
section
Precedent study for rendering techniques
1) charcoal
these sketches studies are intended to investigate the versatility of charcoal for exploring a variety of ideas and situations. charcoals is used to explore shadows. A textured surface acts as a key for the soft charcoal. Darks are laid into the surface adn then removed with a putty rubber in a process that is akin to sculpting clay.
2) colored pencil
a number of colored pencil rendering techniques showing above is demonstrated in the drawing of Eric Parry. this sequence of elevations, is delicately balanced between precise, ruled line work, freehand lines and hatching and layered pencil crayon. together, the simple techniques convey both material and modelling of the building's surface. the drawing is delicate in its execution, but also underpinned with precision, and represents a real sense of the archtect's understanding of material, making and landscape.
3) watercolour
watercolour, though often associated with smaller observational or illutrative renders, is among the most expessive of techniques and applicable to drawings of all scales. in a watercolour the translucent layers allow the luminosity of the page itself to emerge; light travels through the layers of coloured glazes, is reflected off the page and animates the image.
--my sample works
1)charcoal
4)colored pencil
final submission (colored pencil)
elevation
section
Precedent study for rendering techniques
1) charcoal
these sketches studies are intended to investigate the versatility of charcoal for exploring a variety of ideas and situations. charcoals is used to explore shadows. A textured surface acts as a key for the soft charcoal. Darks are laid into the surface adn then removed with a putty rubber in a process that is akin to sculpting clay.
2) colored pencil
a number of colored pencil rendering techniques showing above is demonstrated in the drawing of Eric Parry. this sequence of elevations, is delicately balanced between precise, ruled line work, freehand lines and hatching and layered pencil crayon. together, the simple techniques convey both material and modelling of the building's surface. the drawing is delicate in its execution, but also underpinned with precision, and represents a real sense of the archtect's understanding of material, making and landscape.
3) watercolour
watercolour, though often associated with smaller observational or illutrative renders, is among the most expessive of techniques and applicable to drawings of all scales. in a watercolour the translucent layers allow the luminosity of the page itself to emerge; light travels through the layers of coloured glazes, is reflected off the page and animates the image.
--my sample works
1)charcoal
2)watercolour
3)pastel
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